Spirit of 66, Verviers

Belgium · Wednesday 26 May 2010 · Train On The Road

16 years, 5 months and 14 days ago

Known recordings

2 sources
No cover available
Untitled recording
2h 15m total
Audience
Media
2CD-R
Quality
A-
Rating ★★★★☆ 7.0/10 (2 ratings)
7 people have this recording
  1. 1.1Mechanical Bride09:53
  2. 1.2Fire On The Moon06:28
  3. 1.3Every Day09:19
  4. 1.4Emerald And Ash09:28
  5. 1.5Carpet Crawlers05:58
  6. 1.6Ace Of Wands08:19
  7. 1.7Serpentine Song07:50
  8. 1.8Spectral Mornings07:25
  9. 1.9Firth Of Fifth10:19
  10. 2.1Walking Away From Rainbows05:39
  11. 2.2Horizons01:36
  12. 2.3Blood On The Rooftops06:03
  13. 2.4Fly On A Windshield / Broadway Melody Of 197405:50
  14. 2.5Sleepers07:32
  15. 2.6The Darkness In Man's Heart (Nick Beggs' Solo)03:16
  16. 2.7Still Waters06:09
  17. 2.8Myopia / Los Endos09:13
  18. 2.9Slogans05:24
  19. 2.10Clocks09:42
Recording comments
Lineage: Sony MZ - N1 plus Sony ECM-719 microphones
> AUDACITY > CD Wave Editor>Trader's Little Helper: Flac level 6
No cover available
Untitled recording
2h 9m total
Audience
Media
2CD-R
Quality
B+
Rating ★★★☆☆ 6.0/10 (1 ratings)
3 people have this recording
  1. 1.1Introduction / Mechanical Bride09:58
  2. 1.2Fire On The Moon06:49
  3. 1.3Band Introductions01:42
  4. 1.4Every Day07:03
  5. 1.5Emerald And Ash10:03
  6. 1.6Carpet Crawlers05:55
  7. 1.7Ace Of Wands07:24
  8. 1.8Steve Talking01:07
  9. 1.9Serpentine Song08:23
  10. 1.10Spectral Mornings05:47
  11. 1.11Firth Of Fifth10:10
  12. 2.1Walking Away From Rainbows04:13
  13. 2.2Horizons02:27
  14. 2.3Blood On The Rooftops04:54
  15. 2.4Fly On A Windshield / Broadway Melody Of 197404:14
  16. 2.5Sleepers07:48
  17. 2.6The Darkness In Men's Hearts04:21
  18. 2.7Still Waters05:37
  19. 2.8Myopia03:12
  20. 2.9Los Endos05:41
  21. 2.10Slogans04:18
  22. 2.11Clocks08:20
Recording comments
Rec. Info:
Aiwa CM-TS55 mic -> MD MZR700 (@ WAV 16/44) -> CDR -> HD -> Transfer -> my HD -> Audacity (edit/remaster) -> WAV 16/44 -> TLH8 -> FLAC -> YOUR EARS AND MIND...
Recorded by dear Lylian close to the stage edge. Only a fair to good recording marred by different factors: A very loud clapping audience, sometimes oversatured sound (not the best recording position) and
unfortunately a few cuts here an there